The social network will bring independance to the guillotine

 

  Dependency is the standard nowadays. Utterly enforced by the social network. Individuality is now made up of a hodge-podge of re-posts and recycled clippings of other peers lives. Making art has become as simple as re-cropping an under appreciated work, and as hard as emerging outside of the multimedia mass production monstrosity. 

  In order to catch onto things which others like, make things that are like them? How are we in our flooded generation supposed to discover new works when everything is so well known by the time its spectrum reaches us? There is more originality in antiquity then there is in the majority of our heads. The herd keeps scratching at the gate only to return to the center of the masses with a scrap of grass from the other side. 

  I feel estranged on the days that im overwhelmed by these faithless notions. Pushing out of the box has been and is my goal, the shame is that the more independant a notion is, the less publicized it will be. Production isn't the solution, branding is. Make an interesting market, appeal to the desires of the masses, seem cool. You don't actually have to produce anything... I want to go back in time. 

  This post is at first glance, revolting from Timindustry's optimistic brand... However, sincerity is a crucial part of succesful business. I have a fear in the conformity of social branding, and its hinderence on individuality. This fear leads Timindustry. Individuality in art. Not mass production, not neccesarily what the masses would want. But honest handmade goods, whatever media is inspiring. Without tagging onto the back of whatever is #trending. 

  I hope this spring roots new seedlings into fruition, and the dead leaves of last year fall as nutrition into the soil.

  Cheers.

http://bit.ly/NseiXw for more beautiful decayed cars reclaimed by nature!

Most succesful paintings

  Today I'm posting four of my most highly reviewed paintings! They range from High School to College, Two of them are my recreations of famous paintings (A method which I feel greatly strengthens my style), and two of them are of my own creation. Enjoy!

  First off, as I prefer to paint surrealism This Is my favorite of my work. This painting was my first finished succesful attempt at nightmarish surrealism.

  This painting was done at a very difficult time in my life, after losing my oldest brother, and grandfather. I was in a deep depression and persistantly daydreaming about things falling apart. This painting greatly helped me get it off my chest, and out of my head. 

 

 Things Falling Apart, 2010. Oil on masonite, 3'x4.5'

  Next up, Carravaggio's Judith. I was assigned in college to do a remake of a famous painting from the renaissance era. This one stood alone to me as the perfect choice. Often times my paintings are dark and violent- So this lined up. The resolution and level of detail in Carravaggio's work is astounding and I took every consideration in accuratly depicting it.

 

Carravaggio's Judith Betrays Holofernes, 2011. Recreation - Oil on illustration board, 18"x22"

  Another recreation, originally by Norman Rockwell, was commissioned by a Teacher of mine while I was in High School. She approached me to donate a remake of this painting, in exchange for an automatic A in her class, and free range to work in the art room rather than sitting in her lecture.

  I spent 2 months painting the wall alone! My principal requested that I raise the graffiti on the wall so the racist "Nigger" would be less overpowering in the classroom. I agreed, but felt the text must at least partially stay, as the painting depicts the first Black student to go to a white school during the civil rights movement.

 

 Rockwell's The Problem We all Live With, 2007. Recreation - Acrylic on masonite. 4"x5"

 Lastly, my most recent work. I focused on broken homes for awhile, and this painting represents a family who has abandoned all interest in eachother. They are postcard modeling in front of Disney's castle. In the happiest place in the world they wear the most sullen disinterested faces they own. 

  The viewer can choose whether the photo was taken by an equally broken mother, a requested patron, or more likely, a Disney photographer who goes around taking pictures of happy families. 

  For this painting I used my friends as models, and told them to look at me like I was auditing them. (Easter egg bonus, The model who played the kid is also the citizen with his ribs exploding in The Downward Spiral.)

 The Most Interesting Place in the World, 2012. Oil on illustration board. 18"x22"

Hope you all enjoy them, Cheers!